Last night I posted something on Twitter that got a lot of heat.
little ppl, morbidly obese, flamboyant effeminate, fighting: american tv is a carnivale of the grotesque.
With 140 character posts, the full context of what one posts can never be assumed. So, when I post something like this I am not immune to the reality that others might find such posts offensive. I may be stupid sometimes, arrogant at others, still confused again, but not naive to the reality that statements once posted are never interpreted isomorphically among all those who read them.
The immediate response among those who feel they represent such groupings as I mentioned is that they are not grotesque and therefore should not be considered as such. I agree. However, such a view is not reality but ideology.
A social norm is what the majority of the people or the majority shareholders of a people hold in order to regulate a society. No matter what lovely humanist affirming language we can associate with being queer, or little, or male but effeminate (female but masculine) the reality is that these are still socially deviant when put in greater social context.
What I find is that when I make that call, I am often seen as one who is actually "buying in" to the understanding of deviance for these groups. I have NEVER advanced such an opinion. Do a search on this blog and you will find the contrary opinion.
What I mean hearkens back to an article I published on this very topic. Here is a bit from the abstract:
(T)heories of the grotesque show that it is often a combination of social and aesthetic criticism that disrupts the ordered structure of experience in terms of boundaries and categories that compose that structure often in terms of explicit traditions, but also in terms of hidden assumptions and values that compose this structure.
What I mean is that the grotesque is determined by a majority opinion which is therefore normative. Blackness, queerness, transgenderedness, little, obese, effeminate, masculine, etc, are all socio-cultural catergories that require normativity to be, well… "normal."
Carnivals were a major source of fascination due to their use of the grotesque as a means of entertainment among the "normal." My comment was that the media of television is now doing the same thing. Shows about the morbidly obese, addicted, pathological, queer, materialistic, etc. are pervasive as forms of entertainment. Why? Because it is all "grotesque." It is a fascination among and in contrast to the socially constructed idea of "normal."
I stand my my statement that homosexuality is a problem not because of rights, but because of its grotesqueness to what is normative. It is a disordered relationship to sexuality compared to what is "normal." That is the root of what grotesque means.
For Bakhtin, the concept is the carnival in which those in authority are mocked and parodied. A similar play is wrought by Monty Python who take liberties with their notions of authority and God, portraying priests and kings as buffoons, the laws of the land as absurdities, and the incapacity of high-order philosophical thought to deal with real-world problems, as in a soccer match between Greek and German philosophers who can’t seem to get out of the individual mode of reflection until Archimedes has a moment of “eureka” in order to set up a play at the end. The issue is what is left after these boundaries become blurred and seemingly relative.
That non-normative groups in society are considered grotesque is a severe social problem. But until we embrace how severe the social reactivity to the grotesque is, the living out of the gospel is lip-service and a pipe dream to make the normative feel good about itself.
Until we embrace the grotesque to subvert and transform the "normal", we have failed to understand the gospel that Jesus revealed.




